2020 Oil, varnish, coffee grains, chalk and steel, 85x35cm, ready to hang. Horn Hill works very well as a tryptich with Ashdown Beds and Venton Hue.

Each steel sheets hangs onto the wall with a bracket which is fastened to the reverse of the steel. The painting therefore stands proud of the wall, almost float like.

Sam uses a mix of recycled metals and industrial paints to create landscape pieces. “I gorge on the speed and power of mark making, the rawness and the ferocity of paint; how brush marks shift, scrape and overlap to build up structures and forms which compel me to paint, I look incisively for the conversation within the form to build this up on the canvas as the work evolves”.

As his work has matured over the years, he has kept material links to previous collections as motifs within the main body of the work, retaining the sugar and coffee elements, the strips of liquorice which define the horizon line, the carbolic soap alongside building materials such as plaster, the element of intense heat to distort and infuse colour, the blinding areas of light tamed by a darkened varnish.